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OCTOBER 2022

Cover: Sir Joseph Hotung British Museum Bequest. Profile: the Saudi artist Manal Al Dowayan. Indian textiles and the history of khadi in Australia. Power and Perspective: Early Chinese Photography in China, in Salem. The Secret of Colours, the quest for colour in Chinese Ceramics, in Geneva. From the Archives: Eternal Presence: Handprints and Footprints in Buddhist Art, held at the Katonah Art Museum. Asian and Islamic art at this year’s Venice Biennale. Our annual guide to Asian Art in London, including gallery shows. London auction previews. Auction previews for Hong Kong and Paris. Vivid Transparencies, exploring Chinese celadons in Venice. Text and Image in South Asian Art, in Cleveland. Isamu Noguchi in Bern, Park Dae Sung in Los Angeles, and Kawada Kikuji in Boston. Islamic Arts Diary.

TEXTILES OF INDIA

September 28, 2022Heather
Textiles of India. red velvet gold embroidery

Powerhouse’s new exhibition presenting highlights from the museum’s expansive collection of Indian textiles opened on 13 August. Taking its title from charkha (spinning wheel) and kargha (loom), this latest exhibition in Sydney features over 100 textiles that date back to… Continue reading →

Current Issue, OCTOBER 2022 Fustat Fragments, Gandhi and textiles, Indian export textiles, khadi, Textiles in India

Handprints and Footprints in Buddhist Art

September 28, 2022Heather
Worship of the Buddha, possibly depicting the Buddha’s First Sermon, Buddhist relief, Indian Andhra Pradesh, Gummadidurru, Amaravati style, Andhra dynasty, 3rd century, limestone, 52.3 x 34.6 x 6 cm, anonymous gift, Cincinnati Art Museum. Handprints and Footprints of the Buddha

The physical marks of the Buddha appear again and again through Buddhist literatures in Asia, because of the profound importance of the Buddha’s body. To behold the body of a Buddha is considered a great blessing. The marks that adorn… Continue reading →

Current Issue, OCTOBER 2022

Early Photographs of China

September 28, 2022Heather
Thomson-Curio-Shop

A new exhibition at the Peabody Essex (PEM) explores the idea of how the camera transformed the way we imagine China in the West. Photography’s development as a new form of art and technology in the 19th century coincided with… Continue reading →

Current Issue, OCTOBER 2022 Chinese photographs, early photography, John THomsen, Milton Miller

Chinese Celadons

September 28, 2022Heather
VASE-FIGURES-VENICE

An exhibition of Chinese celadons, Yaozhou ceramics, from the Shang Shan Tang Collection (Hall of the Supreme Good), curated by Sabrina Rastelli, is dedicated to the Yaozhou kilns, located about 100 km north of Xi’an, in northern China. Active between… Continue reading →

Current Issue, OCTOBER 2022 Chinese Celadons, Chinese ceramic glazes, Yaozhao kilns
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OUR CURRENT ISSUE

World Monuments Fund Announce Watch Sites. Profile: the Turkish artist Mehmet Ali-Uysal. The life and work of Kamoda Shoji in Minneapolis. Beasts of India and The Deep – tribal art in India. Ganjifa, playing cards of India. Textiles from Safavid Iran in Washington DC. From the Archives: Translucent World: Jade from the Palace Museum. Japanese Treasures from Royal Collections in London. Costumes and stories from Noh theatre in Venice. The Art of the Samurai in Cambridge, UK. The Legacy of Ceylon. Popular art in modern Korea. Ali Kazim in Oxford and Geoffrey Bawa in Colombo. Children of the Meiji period in Paris, Swapnaa Tamhane ‘s Indian textiles in Toroto. Dinh Q. Le in Paris and Indian contemporary art in Melbourne. Gallery shows and auctions. Islamic Arts Diary.
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