In the 1970s and early 1980s, Sotheby’s in New York and the auction houses in the UK and in Europe sold mostly late Utagawa School prints by Kuniyoshi (excluding his early works), Kunisada I aka Toyokuni III, Kunisada II and… Continue reading
In the 1970s and early 1980s, Sotheby’s in New York and the auction houses in England and in Europe sold most late Utagawa School prints by Kuniyoshi (excluding his early works), Kunisada I aka Toyokuni III, Kunisada II and III,… Continue reading
This show follows The Saint Louis Art Museum’s highly successful print exhibition, Conflicts of Interest: Art and War in Modern Japan that was reviewed in Asian Art Newspaper October 2016. Now, The Saint Louis Art Museum it is continuing its… Continue reading
This show follows The Saint Louis Art Museum’s highly successful print exhibition, Conflicts of Interest: Art and War in Modern Japan that was reviewed in Asian Art Newspaper October 2016. Now, The Saint Louis Art Museum it is continuing its… Continue reading
Ever since the age of six I have had a mania for drawing the forms of objects. Towards the age of fifty I published a very large number of drawings, but I am dissatisfied with everything which I produced before… Continue reading
Hokusai Beyond the Great Wave is the extensive exhibition organised by the British Museum on the life and work of Katsushika Hokusai (1760-1849). ‘Ever since the age of six I have had a mania for drawing the forms of objects.… Continue reading
By Yvonne Tan In celebration of its 20th anniversary, the Miho Museum in Shigaraki, Japan is hosting this special exhibition of Japanese glass from the Bindeisha Vidro-Diamante Glass Museum of Matsuyama, Shikoku founded by Daito Norisato in 2011. Glass-making was… Continue reading
In celebration of its 20th anniversary, the Miho Museum in Shigaraki, Japan is hosting this special exhibition of Japanese glass from the Bindeisha Vidro-Diamante Glass Museum of Matsuyama, Shikoku founded by Daito Norisato in 2011. Glass-making was in its infancy… Continue reading