Opening last October after more than a decade of preparation, the Enoura Observatory is an installation of gallery spaces, performance stages, a traditional teahouse, two ancient gates and many, yet-more ancient stones, constructed in the words of the founder ‘as… Continue reading
Unfortunately, eccentrics are ofttimes underrated – or overlooked. Socially, they can be considered unstable and therefore, somehow, unacceptable – that is if one is under the thumb of bourgeois morality. In the American South, however, family eccentrics are a point… Continue reading
Unfortunately, eccentrics are ofttimes underrated – or overlooked. Socially, they can be considered unstable and therefore, somehow, unacceptable – that is if one is under the thumb of bourgeois morality. In the American South, however, family eccentrics are a… Continue reading
Arguably, a thoroughly unexpected celebrity became entranced by Japanese cloisonné – Rudyard Kipling. He describes his reaction to seeing the cloisonné process like this: ‘It is one thing to read of cloisonné making, but quite another to watch it being… Continue reading
Arguably, a thoroughly unexpected celebrity became entranced by Japanese cloisonné – Rudyard Kipling. He describes his reaction to seeing the cloisonné process like this: ‘It is one thing to read of cloisonné making, but quite another to watch it being… Continue reading
In the 1970s and early 1980s, Sotheby’s in New York and the auction houses in England and in Europe sold most late Utagawa School prints by Kuniyoshi (excluding his early works), Kunisada I aka Toyokuni III, Kunisada II and III,… Continue reading
In the 1970s and early 1980s, Sotheby’s in New York and the auction houses in the UK and in Europe sold mostly late Utagawa School prints by Kuniyoshi (excluding his early works), Kunisada I aka Toyokuni III, Kunisada II and… Continue reading
This show follows The Saint Louis Art Museum’s highly successful print exhibition, Conflicts of Interest: Art and War in Modern Japan that was reviewed in Asian Art Newspaper October 2016. Now, The Saint Louis Art Museum it is continuing its… Continue reading
This show follows The Saint Louis Art Museum’s highly successful print exhibition, Conflicts of Interest: Art and War in Modern Japan that was reviewed in Asian Art Newspaper October 2016. Now, The Saint Louis Art Museum it is continuing its… Continue reading
Ever since the age of six I have had a mania for drawing the forms of objects. Towards the age of fifty I published a very large number of drawings, but I am dissatisfied with everything which I produced before… Continue reading