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Venice Biennale 2013

October 8, 2013Heather
Danh Vo’s work in the Arsenale, curated by Massimiliano Gioni. Photo by Francesco Galli. Courtesy of la Biennale di Venezia

THE CHALLENGE FACING every curator in charge of the Venice Biennale before starting his selection process is to find a theme that will connect the various works of art. This year, the 2013 curator, Massimiliano Gioni, from the New Museum… Continue reading →

Back Issues, Newspaper, October 2013

Early Modern Japanese Prints: Fresh Impression

September 9, 2013Heather
Woman Combing Her Hair (Kami sukeru onna), by Hashiguchi Goyo (1880–1921), March 1920, colour woodblock print. Museum Purchase, 1930

IN 1930, the Toledo Museum of Art played a critical role in popularizing early modern Japanese prints in North America by organising the largest exhibition ever devoted to the movement and producing an authoritative and important catalogue to accompany it… Continue reading →

Back Issues, Newspaper, September 2013

Trade Textiles: Interwoven Globe 1500-1800

September 9, 2013Heather
Coverlet, 16th cenury, China, silk, gold-wrapped silk, 84 x 79 in. Images © The Metropolitan Museum of Art

This is the first exhibition at the Met to explore the international transmittal of design from the 16th to the early 19th century through the medium of textiles. While previous studies have focused on this story from the viewpoint of… Continue reading →

Back Issues, Newspaper, September 2013

IRANIAN MODERN ART IN NEW YORK

September 9, 2013Heather
Marcos Grigorian, Untitled, n.d. Sand and enamel on canvas H. 30 x W. 25 in. (76.2 x 63.5 cm) Grey Art Gallery, New York University Art Collection Gift of Abby Weed Grey, G1975.570

ON 6 SEPTEMBER, the first large-scale exhibition of Iranian Modern Art in the United States will take over two floors at the Asia Society in New York. While the exhibition focuses on the artistic period just preceding political revolution, featuring… Continue reading →

Back Issues, Newspaper, September 2013

THE ICHIKAWA BEIAN COLLECTION

September 8, 2013Heather
Plum Blossoms by Chen Lu, ink on silk, Ming dynasty, dated 1446, 147.2 x 73.4 cm. Gift of Mr. Ichikawa Sanken, on exhibit until 1 September only

The Chinese paintings currently conserved in Japanese collections reflect more than a thousand years of connoisseurship in that country. A primary source material, they offer contextual information about the nature of their transmission from China to Japan. They tell us… Continue reading →

Back Issues, Newspaper, September 2013

Where Three Dreams Cross

March 1, 2010Heather
Jawaharlal Nehru during an informal botany lcass with his grandsons, Rajiv and Sanjay Ghandi Homai Vyarawalla 1950, silver gelatine print

TO COINCIDE WITH the flurry of Indian activity that has bled across the cultural landscape in London currently, an exhibition opens at Whitechapel Gallery that concentrates on the history and majestic of the photographic image from three countries that were… Continue reading →

Back Issues, MARCH 2010, Newspaper

The Turkish Room in Dresden

March 1, 2010Heather
Interior of the roof section of a two-pole tent, Ottoman, before 1714. One of two tents on public display

WHEN THE Turkish Room (Türckische Cammer) opens in Dresden’s Residenzschloss this month, it will have created an extraordinary space to display the permanent oriental collection in the former palace of the electors of Saxony. Furthermore, the collection has not been… Continue reading →

Back Issues, MARCH 2010, Newspaper

Indian Portrait Painting 1560-1860

March 1, 2010Heather
Ram Rao Phalke, Gwalior, circa 1865, San Diego Museum of Art, Edwin Binney 3rd collection 1990:1022 © San Diego Museum of Art

AN EXHIBITION AT the National Portrait Gallery in London opens in March and aims to trace the history of the Indian portrait over three centuries, from the Mughals to the Raj. Bringing together 60 works from international public and private… Continue reading →

Back Issues, MARCH 2010, Newspaper

Northern Song Ru Ware Ceramics

March 1, 2010Heather
Ru Ware, Norther Song Dynasty. Cover of Mandarin Duck-shaped Incense Burner, 15.0 x 22.0 x 8.0 cm

RU WARE IS the most celebrated of Northern Song (960-1127) ceramics. These utensils were made exclusively for the court and were ranked among the Ding, Jun, Guan and Ge as the ‘five classic wares’ of the Song dynasty (960-1279). They… Continue reading →

Back Issues, MARCH 2010, Newspaper Chinese ceramics, Northern Song ceramics, Ru ware

Zhang Daqian: Master Chinese Painter

May 1, 2008Heather
ZHANG DAQIAN AS A FORGER: WUGOUCHENG BODHISATTVA, early 1950s forgery; dated AD 590. Zhang Daqian, ink and colours on silk, 113.4 x 98.3 cm. Museum of Fine Arts, Boston. Keith McLeod Fund

THE ENIGMATIC 20th-century Chinese painter, Zhang Daqian (1899-1983) could paint at will and in complete mastery all the great Chinese stylistic genres. His prodigious talent was matched by an unrelenting passion and enormous self-discipline. Although Zhang studied Chinese painting by… Continue reading →

Back Issues, MAY 2008, Newspaper

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