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National Cherry Blossom Festival

April 5, 2015Heather
One of a pair of screens, Pheasants and Cherry Trees, first quarter 17th century, Momoyama period, ink, colour, and gold on paper, 165 x 63.4 cm, Japan. Courtesy of the Freer Gallery of Art

Seasonal Landscapes in Japanese Screens is on show during the National Cherry Blossom Festival and on into late summer in Washington DC. This exhibition of screens touches upon the changing of the seasons, one of the most culturally important markers… Continue reading →

APRIL 2015, Back Issues, Newspaper

Cosmologies: An Enduring Mystery

April 5, 2015Heather
The 12 Wind Tracks on which the sun glides in the Kalachakra cosmic model, with a dome around Mount Meru, Tibet 16th century, colour on canvas, scroll, 48.3 x 200.6 cm at the Rietberg Museum © Rubin Museum of Art

ALL LIFE ON earth is governed by the courses of the heavenly bodies, especially by the sun and the moon. They are responsible for the rhythm of time and for fluctuations in the earth’s climate and hence have an immediate… Continue reading →

APRIL 2015, Back Issues, Newspaper

The Buddhist Art of Myanmar in New York

March 5, 2015Heather
Plaque with image of seated Buddha, Pagan period, 11th–13th century, gilded metal with polychrome, 17.8 x 15.9 x 0.6 cm, Bagan Archaeological Museum, at Asia Society. All photos: Sean Dungan

COMPRISING approximately 70 works from the 5th through the early 20th century, this is the first exhibition of Buddhist Art of Myanar in the US devoted to the arts of ancient Burma. The works include objects of stone, bronze, and… Continue reading →

Back Issues, MARCH 2015, Newspaper

Kano School Painting: Ink and Gold

March 5, 2015Heather
Tigers in a Bamboo Grove (detail), mid-1630s, Kano Tan’yu, Japanese, 1602-1674. Ink, colour, and gold leaf on paper, set of four-panel sliding doors, each door 72 13/16 x 55 1/2 inches. Nanzen-ji Temple, Sakyo-ku, Japan. Important Cultural Property. In rotation 3

SPANNING FOUR centuries, the Kano school of painting is believed to have been one of the most influential artistic disciplines in Japan. The school, which flourished beneath the Tokugawa shogunate, was established in the late 15th century and endured until… Continue reading →

Back Issues, MARCH 2015, Newspaper

The Many Arts of the Deccan: The Nauras

March 5, 2015Heather
Portrait of Abdulla Qutb Shah, Bijapur, Deccan, circa 1640, opaque watercolour and gold on paper, 18 x 13 cm. Abdullah Qutb Shah (r. 1626-1672) inherited a precarious kingdom that was under Mughal attack. He had to agree to the difficult terms of an inquiyad-nama, or deed of submission, which all but transformed Golconda into a Mughal protectorate. Increased Mughal control can be seen in the art, which turned from Iranian idioms to the more naturalistic Mughal style. A similar portrait can be found in the

THIS ECLECTIC but relatively neglected art of mediaeval southern India, which existed during a period of roughly 400 years (up to the 19th century) is currently found in an exhibition at the National Museum (NM) in New Delhi – the… Continue reading →

Back Issues, MARCH 2015, Newspaper

Saké Drinking: A Noble Art for Collectors

March 5, 2015Heather
Tokkuri saké bottle, e-karatsu ware, Momoyama period, early 17th century; Karatsu-ware saké-cup, Momoyama period, early 17th century; Imari-ware mamezara porcelain dish, mid-Edo period, circa 18th century; Negoro lacquer tray, Edo period, 17th/18th century. Photograph courtesy of Kimiko Ohno

WHILE EXPLORING Japan’s traditional arts it does not take long to realise that the Tea-ceremony and its utensils are central; epitomising the expression of Zen ideals in every-day life and providing a milieu for profound artistic exploration that owes much… Continue reading →

Back Issues, MARCH 2015, Newspaper

Asim Waqif

February 5, 2015Heather
HELP, Jumna’s protest (2010-11), unauthorised site-specific installation on the river in Delhi. Materials: Recycled water bottles, ropes, LEDs and batteries. Photo: Raoul Amaar Abbas

TODAY, FEW ARTISTS rely on installation work as their primary means of expression, however, Asim Waqif (b. 1978 in India) is one of these rare artists. Besides working with installation, he also has a more ambitious agenda than solely to… Continue reading →

Back Issues, FEBRUARY 2015, Newspaper

Life is a Legend: Contemporary Art from Kazakhstan

February 5, 2015Heather
Almagul Menlibayeva, “Red Butterfly”, 2012 Duratrans Impression in Lightbox

WE HAVE become used to seeing contemporary art from Kazakhstan and from other Central Asian countries in such events as biennials, but more rarely in galleries or museums. This makes it all the more remarkable that the exhibition, Life is… Continue reading →

Back Issues, FEBRUARY 2015, Newspaper

The All-Knowing Buddha: Vairocana

February 5, 2015Heather
Sarvavid Album Leaf 38, Inner Mongolia, 18th/19th century, pigments on paper, 26.3 x 27 cm, MAS/ Museum aan de Stroom, Antwerp

IN 1923, the Belgian missionary, Father Rafael Verbois then resident in Inner Mongolia, was offered 54 paintings by a monk at the imperial monastery of Wangzimiao in the former province of Jehol. More than 50 years later, the paintings were… Continue reading →

Back Issues, FEBRUARY 2015, Newspaper

The Maritime Silk Road: The Lost Dhow

February 5, 2015Heather
Cast gold cup with chased decorations, China. 825-50. The drinking of grape wine was a habit that came from West Asia

IN 1998, an Arab dhow carrying goods from Tang-dynasty China was discovered in the Indian Ocean off Belitung Island, Indonesia. Dating from the 9th century, the shipwreck is the earliest Arab vessel of this period to be found with a… Continue reading →

Back Issues, FEBRUARY 2015, From The Archive, Newspaper

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