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Raku Tea Bowl with Plum Branch and Red Wrapping Cloth by Kubo Shunman (1757-1820), Edo period (1615-1868), late 1810s Shikishiban surimono, 21.4 x 18.3 cm, Virginia Shawan Drosten and Patrick Kenadjian Collection

AUSPICIOUS SYMBOLS IN JAPANESE ART

Kotobuki explores auspicious imagery and celebratory subjects through inspired selections of paintings, calligraphy, surimono, textiles, ceramics, and baskets dating from the 12th to the 21st centuries, including works that will be on view to the public for the first time – all from private New York collections…

 

DELIGHTING KRISHNA: PICHVAIS PAINTINGS

An exhibition highlighting monumental paintings called pichvais is currently on show in Washington, DC. These paintings play a central role in the religious practices of the Hindu Pushtimarg (The Path of Grace) community, who engage with the divine by caring for and delighting the child-God Krishna. Collectively, the artworks convey the philosophical and emotional resonance of the Pushtimarg tradition as well as the creative ingenuity of its artists…

 

Sharad Purnima: Festival of the Autumn Full Moon pichvai, mid-19th century, India, Mewar, Rajasthan state, Nathdwara, opaque watercolour, tin, and gold on cotton, post treatment 198.7 × 150.5 cm, National Museum of Asian Art, Smithsonian Institution, gift of Karl B Mann
The distinctive calligraphy of an inner Kiswah curtain from Mecca would have made this Malay-made waistcoat a highly talismanic garment

THE BIRTH OF THE MALAY WORLD

The word below, written more than half a millennium ago, are as true now as ever. In an era of growing isolationism and what has recently been termed ‘the most beautiful word’ (tariffs), it is refreshing to see an exhibition that looks at trade as a bringer of life. According to the Malay ruler above, trade also unites ‘all living things’, which sounds like a green statement centuries ahead of its time…

 

THE FORBIDDEN CITY AND VERSAILLES

To celebrate the 60th anniversary of the establishment of diplomatic relations between China and France, as well as the China-France Year of Cultural Tourism, the Hong Kong Palace Museum is showing The Forbidden City and The Palace of Versailles: China-France Cultural Encounters in the Seventeenth and Eighteenth Centuries…

Chrysanthemum teapot, enameller: Joseph Coteau (French, 1740–1812); gold pot: Jean Daniel Doerffer (French, active about 1780s), 1783, painted enamels on gold core, The Palace Museum © The Palace Museum

Asian and Islamic Works of Art

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The latest shows from around the world

GALLERY SHOWS
  • THE MAGIC OF EXPLORATION

    THE MAGIC OF EXPLORATION

    From biennials and triennials to art summits, fairs, and cultural tours  – countless art events now dot the globe and compete for attention and …Read More »
OBJECT OF THE MONTH
FROM THE ARCHIVE
  • Wang Keping

    Wang Keping

    The Rodin Museum invited Wang Keping to take over the sculpture garden as his studio during May and early June. The project is a …Read More »
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